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REJ Volume 4
- John Tyson, Making your own music. Clara
Legêne, "Who can Say what Love is?" Different
ways to approach music with your
students.
- Clara Legêne, Why every Recorder Ensemble
should take "Pictures".
- David Gordon, The improvising Recorder
Consort: Jazz.
- Peter Seibert, Arranging for Recorder
Ensemble.
- Patrick O'Malley, Applying Rhetoric and
Preluding to Recorder Education.
- David Lasocki, Improvising with Alan and
Bruce: A Memoir.
Volumes 5 and 6 are dedicated to baroque
ornamentation.
REJ Volume 5
- David
Lasocki leads with a four-page editorial entitled "The
Philosophy of Baroque Ornamentation" and
includes discussions on the purposes of
ornamentation then and now, the parallels
between baroque ornamentation and jazz improvisation and concludes with guidelines
for modern players.
- Betty
Bang Mather, in her article "Developing
Baroque Ornamentation Skills" takes as the
start point an unornamented slow movement from
a Handel sonata and develops a method for
adding a variety of different kinds of
ornamentation.
- Sally
J. Dawson, The Accidental Ornamentor: A
Way of Teaching Ornamentation to Inexperienced
Players.
- Peter
Bowman, Ornaments in the Works of Pierre
Danican-Philidor. A back-to-basics analysis
and interpretation of ornamentation in
Philidor's beautiful and sophisticated
duets.
- David
Lasocki, The Doubles in Hotteterre's
Airs et Brunettes (ca. 1721). These are
interesting because of the close relationship
of instrumental music in France during this
period and vocal styles. The ornaments are
described in detail and there are lots of
musical examples.
REJ Volume 6
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This volume begins with Eva Legéne's article
"A Curriculum for Teaching Ornamentation" in
which she describes the source material that
can be used both as teaching material and for
inspiration. The article concludes with no
fewer than 46 examples of ornamented cadences
from the works of Telemann.
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Saskia Fikentscher discusses "The
Ornamentations of Arcangelo Corelli's Violin
Sonatas, Op.5" focussing on seven contemporary
ornamented versions of the first movement of
Sonata No. 9. including those by Tartini and
Geminiani.
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Kim Zabelle analyses J.S. Bach's
ornamentation in the opening Adagio of his
Violin Sonata No. 1 in G minor. She found
fifty-seven ornamental figures and has
arranged these by interval. A unique and
intriguing insight into Bach's
ornamentation.
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Eva Legéne continues the look at Bach's
ornamentation in her article "J. S. Bach's
Ornamentation of Slow Movements by Marcello
and Vivaldi".
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The volume concludes with a joint article by
Legéne and Lasocki entitled "Learning to
Ornament Handel's Sonatas through the
Composer's ears".
REJ Volume 7
Contributions sought! Proposals to Peter Bowman please.
Archives
Volume 2: temporarily out of stock.
Volume 1: a few copies left.
Availability
The REJ is FREE to
members, £8.00 to Non-members. To obtain a
copy of any of the above volumes, please send a
large stamped, addressed envelope (A4 size) and 66p
postage to:
Peter Bowman,
3 Fisher's Close Staplehurst Tonbridge Kent
TN12 0DB Telephone number: 01580 895177
or email: peterbowman@mac.com.
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